A video has been stirred on social media these days, in which a woman can be seen using a very unique, transparent mobile phone.
At first glance, the viewer feels made of glass, like a science fiction film. Since this phone appears to be written “NOKIA”, people immediately guess that Nokia has probably introduced a new and revolutionary “Transparent Phone”. Some people even paid the price for themselves … 30,000 British pounds!
However, the truth turned out to be quite different from this speculation.
No announcement or confirmation of this kind of phone from Nokia or HMD Global has been revealed. Rather, recent models of Nokia such as NOKIA 235 4G, Nokia 2660 FLIP, and NOKIA 3210 (2024), which is a new style of classic phones of 1999, all these phones have modern facilities such as 4G, Bluetooth and longer battery life, but none of them is a transparent or crystal -like design.
The veil of reality itself was chalked out by the creator of this video through a descriptive video. He said that the phone appearing in the video is not actually an original phone, but an experimental model called “Metaphone”. It is an iPhone format -made device, aimed at giving the original phone’s “feeling” to the original phone, without a screen, app or signal.
He said that this experience was a friend of his friend, who wanted to examine that if we had all become addicted to the phone, could only the form of a phone, without function, could give us the same emotional satisfaction? And can this reduce mobile addiction?
The woman added that this metaphone is actually a symbolic thing, which highlights the feeling that the devices we try to connect are the same. According to her, she often commented on the negative social effects of technology, and “metaphone” was an artistic expression from the same point of view, which has now become the focus of consumers around the world.
As if Nokia’s transparent phone is not currently a reality, but a creative experience, and this kind of visual deception in the social media world is no longer new.
